Eva Dress Katherine Hepburn Jacket and Dress

The Vintage Pattern Contest inspired me to try this design. I had seen it in the recent Threads issue that was all about vintage sewing and ordered it from Eva Dress. Not that I am built anything like Katherine Hepburn but I loved the idea of recreating something designed for her in a movie. As the pattern states "this is a very scarce design put out by Butterick as part of their 'Starred' pattern series for a 'costume for women and misses as worn by Miss Hepburn in an R.K.O. Radios Picture'. This ensemble consists of a dress and jacket in two styles with the hat! The jacket for version 'A' features cut-away sleeves and the attached scarf laps over the front to close the jacket with buttons for detail!

Recommended fabric for the jacket blouse: light weight wools, taffeta, satin, novelty cottons, gingham, shantung and linen. (Quite an interesting variety I think). For the skirt and hat: light weight wools, silk crepe, taffeta, or satin, novelty cottons, gingham, shantung or linen to contrast the Jacket Blouse. I found this silk plaid with embroidery in my stash as well as the crepe for the dress.

Eva Dress has reproduced this pattern and added sizes beyond the original which just came in one size. I chose the 12-14-16 because the waist and hips were close to mine and I was afraid the larger size would be too big at the shoulders. I probably would have done better with the larger size though as I needed to do extensive altering at the bust to make this work. The jacket pattern consists of one main piece (with gusset and facings) so it was quite the puzzle to figure out where to add for my FBA. I had to make a muslin to understand how the piece went together and then started slashing to add the extra needed. It worked out okay in the end.

I would say the instructions are okay although one needs some experience to comprehend them. For instance the gusset instructions are vague. I just did things the way I have done before for the most part and didn't follow the instructions closely. I changed a few things slightly. On the dress I made the bodice a full lining instead of using the facings. I put in an invisible zip in the side seam instead of the vintage technique using snaps. I was afraid I would pop those open as this is quite closely fitted. I shortened the dress about 4 inches as I don't have those long Hepburn legs. I did not line the scarf as suggested in the pattern as I feared it would add too much bulk around the neck. I just did a twice turned narrow hem. I also didn't do bound buttonholes for the 9 buttonholes!

I would recommend this pattern if you have some experience and enjoy trying something a little different. I think the dress is quite current looking with the raised, curved bodice seam and the jacket, though unusual, not too costumey.

Sandra Betzina Week continued again & again

I had thought I could resist purchasing fabrics on our shopping day. Ha ha. How silly of me. I have been to these stores many times since I live within range. But I guess the 25% discount given as part of our little group was just too much for me to resist. Here are my purchases from Britex in SF, Stone Mountain & Daughter in Berkeley, Thai Silks in Los Altos, and Aida Dalati Atelier in Menlo Park.

Hard to see these but if you click on the photo they get bigger. In the top photo dark red cotton with ragged embroidery, Japanese cotton with stylized hydrangeas clusters and sage tencel to match. Middle photo has knits: top is wool jersey, then lacy on mesh, rayon jersey stripe and on the bottom a fur animal print. On the bottom silks: brown with copper medallions (sort of organza) with brown silk crepe to go with, chiffon large dots, and finally chiffon sage dots on black with dupioni and organza to go under it. I have vague ideas of what to do with these wonderful fabrics. The chiffon sage dots will be a skirt. The fur animal print will probably be a Vintage Vogue jacket. The rayon jersey - a top, the dark red cotton - a casual jacket.

Sandra Betzina Week continued again

Click in the box to link to Eva Dress and the picture of the pattern.
I'm finishing up my projects started at the sewing camp in SF. Somehow they were very complex and have taken me a long time. Sandra helped me with fitting issues on the vintage pattern I chose which I plan to enter in the PR Vintage Contest. This is the Katherine Hepburn jacket and dress from Eva Dress which appeared in the Threads issue that was dedicated to vintage sewing a few months ago. This jacket is mostly one pattern piece, very oddly shaped. I knew how to construct it but fitting was a puzzle. It was very interesting to see how Sandra figured it out. Very unconventional fitting techniques. It was quite liberating to see her approach. Once she understood the pattern piece and where the bust was (the area I needed to add to) she suggested slashing and adding sort of randomly. Not in any orderly way. I found this very freeing.

I also chose to work on Vogue 2987, the Anne Klein jacket in ultra-suede. I encountered a few problems in the drafting of this pattern, especially in the sleeve cap. The jacket is almost done, maybe 3 more hours. Then I will review it.

Sandra Betzina Week continued

Here are some more photos showing the sewing experience. We sewed in a lovely high ceiling room with lots of windows and views of San Francisco.

Sandra is showing her button stash in her home sewing space. She doesn't stash fabric but she sure has the buttons.

Sandra Betzina Week

I'm back from a wonderful week of obsessive sewing. The workshop with Sandra was just as fantastic as I had expected it to be. Many things learned as well as new friends, new fabric, and a few projects almost completed. Sandra is such a driving force, she energizes everyone around her. We sewed all day and into the night barely stopping for food.

Here's the stuff my friend Barbara and I needed to load into my car when we left!

Christine Jonson Ruffle Top and Swirl Skirt

I was thrilled to hear that Christine Jonson will be at the Sandra Betzina sewing camp next week. A surprise! So I just had to rush to make up one of her patterns to wear. I only have a few and haven't used them so I had nothing in the closet to drag out. I decided this skirt and top were the best candidates of the 3 patterns I have. I found this wonderful tie dye flocked with chenille velvet flowers in my stash. I believe I purchased it from Casual Elegance a few years ago. My photographer is out of town so I will make do with Fertilina.

It is a bit dressier than I think is appropriate for a sewing workshop but I will wear it anyway because, well just because. Hopefully it won't be too warm in SF next week as this is a heavier knit and with the double front and long sleeves it is cozy.

I cut the top in a medium and the skirt in a small following the envelope measurements. The skirt is a wee bit snug but really ok. The top is a wee bit large. I took in the underarms and sides but next time I will cut a small and use a small seam allowance.

The ruffle is unfinished on the edges as per the pattern design. It looks good except my jersey wants to roll under some. I guess it still looks fine. The only change I did was to hem with the cover stitch on my Evolve and to shorten the top and sleeves about an inch.

Felted bag

What a fun project to do. Knit quickly on giant needles combining yarns every which way, then throw in the washing machine to transform. No sizing worries like for a hat or garment. The photos with the balls of yarn shows the size before felting. About 18 inches tall by twice as wide. You can use my toes for reference.

Now the only thing left is to decide whether I want to line this thing. I think it would probably be a good idea as it would help keep the shape plus I could put a pocket for the phone and a magnet to close.

I used 5 different colors of Cascade wool yarn, knitting 2 colors together always. Then I added 1 of 4 different novelty yarns (bought at Joann's from their $.97 bin) carried along with the 2 wool yarns. Size 15 needles. The handles are also 2 colors held together knitting an i-cord 42 inches long on size 10 needles.

Wash with the hottest water, a pair of jeans and a few drops of detergent, checking once and a while to see if it has shrunk enough. This was tricky with a front load washer as it doesn't like to be stopped mid-cycle but I figured out a way.

I'm thrilled with how this turned out.

Vogue 2933 Sandra Betzina skirt

I'm knocking out Sandra Betzina patterns in anticipation of my upcoming sewing week in San Francisco with her. I'm so excited. My friend Barbara and I signed up a long time ago to get the last two spots in one of her sewing camps for this year. Of course now that it is coming up I have many conflicts but most of them will have to be skipped or ignored so I can immerse myself in the sewing week. We stay in a hotel in SF from Sunday until Sunday with classes everyday with Sandra. We each have a sewing station (just like Project Runway) with cutting tables, ironing station, etc. all available to us. These spaces will be open late so we can continue sewing into the night if we like. Britex is just down the street in case we need something. Sewers heaven!!!

So of course I decided I needed a few new things from her recent patterns. This time it is Vogue 2933, a pull-on skirt with side drapes. Seemingly simple, it has a few puzzling construction details that remind me of some of the older Issey Miyake designs. Primarily rectangle pieces put together differently. It doesn't take much time to construct once you understand the process. There are a few places in her instructions that could be clearer but generally she does a thorough job including modern techniques. The line drawing makes it look as though there are side seams between the skirt and the drape. It doesn't say to do this in the instructions so I think they are not stitched.

It runs big. I wish I had cut size A although my measurements are closer to size C. It is pretty impossible to alter it once you've sewn the drapes on without taking it entirely apart. And you can't tell how it will fit and drape until that point. Also you need to determine the length and hem before you start. (Doesn't that sound like Miyake?) My knit has a bit of bulk to it so there are more gathers around the waist than I like. My friend Dorothy made this in a jersey with 4 way stretch and hers drapes more gracefully. But still I like it a lot. It is very comfortable to wear.

The fabric is a buttermilk or something similar from EmmaOneSock a few years ago. I picked it because it has mountains and trees on it and I thought it would be fun to wear when I visit my DS and his family in Jackson Hole, Wyoming.

Vogue 8397 Marcy Tilton pant

This is a first for me. I have now made all 3 views on a pattern. Rarely do I use a pattern even twice but all the views is unheard of. And, all 3 views are black pants. I really didn't need another pair of black pants but I wanted to have a pair of the matching cotton dobby to the Marcy Tilton jacket I made recently. So it seemed logical to use her pant pattern again.

This is view C which is a one seam pant. There are darts at the waistline, front and back, to take out some of the fullness. There are cute outside darts at the bottom to pull in the leg. Also a tuck horizontal to the hem which you can barely see in the envelope photo. You can barely see it on my garment too. I guess if it were a color other than black you could see it. It serves no function except to be decorative. These pants are very baggy in the hip and thigh area. Perhaps with a drapier fabric than mine this would look okay. However I didn't like the look so I took in one inch on each leg at the inseam. No outer leg seam to alter or I would have done it there too.

I cut a 12 which is a size smaller than my measurements. So you can see these run big.

Vogue 2977 Sandra Betzina top and skirt

I read discussion on PR about this pattern when it first came out recently. Some thought it looked like a Robin Hood costume and that Sandra had gone off the deep end. I took this as a challenge.... I agreed that green would not be a good choice but I found this nice jersey in my stash and decided to give it a go. I love it. Of course I always go for the non-traditional, arty look. No tailored blazers for me. I particularly like the top. As Sandra mentions in the pattern, the ruching hides a tummy. I thought it might accent it but I think it is slenderizing. Yea. The skirt is fun but I probably won't make it again as it is so distinctive.

Sandra includes lots of special instructions including using steam-a-seam to stabilize, fitting suggestions, fabric possibilities, needles, serging and so on. Great help for a beginner.

I cut size B at the top and C at the sides. The skirt is a bit big so a B probably would work even though my measurements are clearly in the C range. The top needs to fit snuggly around the belly as the ruching is created by bunching it up.

The only difference between view A and B is the length of the sleeves. I shortened the tunic 1 inch. I also changed the elastic application to my favorite serged and turned technique instead of creating a casing a Sandra suggests. I also used my Evolve's cover stitch for all hems. The neckline is faced which creates a nice un-topstitched looked. However it is rolling, even with the understitching, so I may just top stitch and trim away the facing.

Vogue 7703 Cat Bag

I found this delightful fabric at the ASG Conference in one of the vendor's booths. I just had to have it and the only thing I could think of that I might possibly really sew and use was a bag. So I bought just a yard plus the dotted fabric to use as lining. Once home I studied my many never used bag patterns and decided on this one. I cut view D intending to put the grommets in a the top. The cord goes through the grommets and creates the shape with pleats at the top. I found some large grommets at JoAnn's but they were too big for my grommet setter. I was fearful of the hammer technique to apply the grommets figuring I would make a mess of it. So I changed my plan and made a tab to close using velcro to secure. I added the little bow. It just seemed to need it.

The pattern was easy to sew except for the oval at the bottom with the cording. The tight curves there were a bit tricky and my result is okay but not perfect. I used fusible fleece on the cat fabric and iron-on interfacing on the lining as my fabrics were soft. The pattern calls for synthetic leather or suede, woolens and corduroy with fusible hair canvas to support. My fusible fleece worked great although it is more soft looking than sleek.

I really like having an open outer pocket on my bags to drop sunglasses or maps in.

There is also one inner pocket for cell phone or whatever. Hard to see in this photo but the picture is of the lining with the pocket.